‘Dickinson’s poetry expresses her struggles with her faith, with her father, with mortality, and with the challenges of being a woman and a poet.’ (Wendy Martin, The Cambridge Companion to Emily Dickinson (2002), p. 1) = Conclusion
Thematic nature of Dickinson's poetry:
- poetic style and significance of Christianity
- books, women writers and Feminism
- 'sensational' literature and the theme of death
- temperance and the celebration of Nature and Life
Paragraph 1:
- Dickinson had made fun of the possibility "In Adam's fall / We sinned all" in the New England Primer 1690 by writing a letter to Judge Lord, "because the dogma of Orginal Sin never figured strongly in her own religious consciousness and because her love for Jesus rested on a sense of shared suffering rather than belief in forensic justice" (Emily Dickinson and Philosophy)
- "Dickinson seems to have been drawn to the more literary and symbolic approaches...mytho-poetic insights offered by the century's most theologically "scientific" approach to scripture." (ibd.)
- Dickinson responded; "No Moses there can be" (Fr521) & identified Eden as a "a legend - dimly told" (Fr378)
- 1847 College Rebellion; "“They thought it queer I didn’t rise. I thought a lie would be queerer”, she is being true to herself, she isn't identifying herself as a follower, distinguishing to ideals and standards of the prejudice society, Christianity is a sham
- Puritanism and Transcendentalism had great influence over her poetry.
- Lived in an age defined by the struggle to reconcile traditional Christian beliefs with newly emerging scientific concepts
- Brought up in a Calvinist household, the young Emily Dickinson attended religious services with her family at the village meetinghouse, Amherst's First Congregational Church
- #324, c. 1860 and #1545
Paragraph 2:
- ‘My mother does not care for thought, and … he [father] buys me many Books—but begs me not to read them—because he fears they joggle the Mind. They [parents and siblings] are religious, except me. (from The Life and Letters of Emily Dickinson, edited by Martha Dickinson Bianchi (Biblo & Tannen Publishers, 1971), p. 239)
- Dickinson’s definition of poetry: ‘If I read a book [and] it makes my whole body so cold no fire ever can warm me I know that is poetry. If I feel physically as if the top of my head were taken off, I know that is poetry. These are the only way I know it. Is there any other way.’(from ‘Emily Dickinson’s Letters’, by T.W. Higginson, Atlantic Monthly 1891)
- ruptured traditional writing style
- introspective
- George Whicher; "Perhaps as a poet [Dickinson] could find the fulfillment she had missed as a woman" (page 45 - 1952 This was a Poet: A Critical Biography of Emily Dickinson)
- Adrienne Rich; "she was determined to survive, to use her powers" (page 34 - Vesuvius at Home: The Power of Emily Dickinson)
- #199c. 1860 & #269 1861
Paragraph 3:
- #699 1863, #280 1861 & #822 1864
- Dickinson was enthralled by the grotesque and shocking details of death e.g. 'Girls kills herself, sends bullet to her head' headlines in the newspaper during this era
- For Dickinson, the crucial religious question was the survival of the soul after death.
- ejected absolutely the idea of man's innate depravity; she favored the Emersonian partial reversal of Puritanism that conceived greatness of soul as the source of immortality.
Paragraph 4:
- #214 1860, 656 & 1732
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